Thursday, May 24, 2007

Culture

The cultivation of cells in the laboratory. Bacteria and yeasts may be grown suspended in a liquid medium or as colonies on a solid medium; molds grow on moist surfaces; and animal and plant cells (tissue cultures) usually adhere to the glass or plastic beneath a liquid medium. Cultures must provide sources of energy and raw material for biosynthesis, as well as a suitable physical environment.

The materials supplied determine which organisms can grow out from a mixed inoculum. Some bacteria (prototrophic) can produce all their constituents from a single organic carbon source; hence they can grow on a simple medium. Other cells (auxotrophic) lack various biosynthetic pathways and hence require various amino acids, nucleic acid bases, and vitamins. Obligatory or facultative anaerobes grow in the absence of O2; many cells require elevated CO2. Cultures isolated from nature are usually mixed; pure cultures are best obtained by subculturing single colonies. Viruses are often grown in cultures of a host cell, and may be isolated as plaques in a continuous lawn of those cells. In diagnostic bacteriology, species are ordinarily identified by their ability to grow on various selective media and by the characteristic appearance of their colonies on test media. See also Bacterial growth.

Laboratory cultures are often made in small flasks, test tubes, or covered flat dishes (petri dishes). Industrial cultures for antibiotics or other microbial products are usually in fermentors of 10,000 gallons (37,850 liters) or more. The cells may be separated from the culture fluid by centrifugation or filtration.

Specific procedures are employed for isolation, cultivation, and manipulation of microorganisms, including viruses and rickettsia, and for propagation of plant and animal cells and tissues. A relatively minute number of cells, the inoculum, is introduced into a sterilized nutrient environment, the medium. The culture medium in a suitable vessel is protected by cotton plugs or loose-fitting covers with overlapping edges so as to allow diffusion of air, yet prevent access of contaminating organisms from the air or from unsterilized surfaces. The transfer, or inoculation, usually is done with the end of a flamed, then cooled, platinum wire. Sterile swabs may also be used and, in the case of liquid inoculum, sterile pipets.

The aqueous solution of nutrients may be left as a liquid medium or may be solidified by incorporation of a nutritionally inert substance, most commonly agar or silica gel. Special gas requirements may be provided in culture vessels closed to the atmosphere, as for anaerobic organisms. Inoculated vessels are held at a desired constant temperature in an incubator or water bath. Liquid culture media may be mechanically agitated during incubation. Maximal growth, which is visible as a turbidity or as masses of cells, is usually attained within a few days, although some organisms may require weeks to reach this stage. See also Chemostat; Embryonated egg culture; Tissue culture.

Fine Art

Fine art refers to arts that are "concerned and designates a limited number of visual art forms, including painting, sculpture, architecture and printmaking. Schools, institutes, and other organizations still use the term to indicate a traditional perspective on the visual arts, often implying an association with classic or academic art.

The word "fine" does not so much denote the quality of the artwork in question, but the purity of the discipline. This definition tends to exclude visual art forms that could be considered craftwork or applied art, such as textiles. The more recent term visual arts is widely considered to be a more inclusive and descriptive phrase for today's variety of current art practices, and for the multitude of mediums in which high art is now more widely recognized to occur. Ultimately, the term fine in 'fine art' comes from the concept of Final Cause, or purpose, or end, in the philosophy of Aristotle. The Final Cause of fine art is the art object itself; it is not a means to another end except perhaps to please those who behold it.

An alternative, if flippant, reference to "fine art," is capital "A" art, or, art with a capital "A."

The term is still often used outside of the arts to denote when someone has perfected an activity to a very high level of skill. For example, one might metaphorically say that "Pelé took football to the level of a fine art."

That fine art is seen as being distinct from applied arts is largely the result of an issue raised in Britain by the conflict between the followers of the Arts and Crafts Movement, including William Morris, and the early modernists, including Virginia Woolf and the Bloomsbury Group. The former sought to bring socialist principles to bear on the arts by including the more commonplace crafts of the masses within the realm of the arts, while the modernists sought to keep artistic endeavour exclusive, esoteric, and elitist.

Confusion often occurs when people mistakenly refer to the Fine Arts but mean the Performing Arts (Music, Dance, Drama, etc). However, there is some disagreement here, as, for example, at York University, Fine Arts is a faculty that includes the "traditional" fine arts, design, and the "Performing Arts".

An academic course of study in fine art may include a Master of Fine Arts degree.

Types of fine art

* Drawing
* Film
* Fine art photography
* Intermedia (interdisciplinary, traditionally referred to as Fine Art Media)
* Literature

* Painting
* Printmaking
* Sculpture
* Textiles